Monday, March 7, 2011

We Tell Memphis' Story

I was recently asked to answer the question of why I, along with the rest of the Ballet Memphis family, do "Memphis Project" works.

My answer is always, "How can we not?"

This city is so unique and culturally rich and diverse, how can we not tell its story? Our culture is reflective of so many trends that have contributed to changing the world. There was this convergence of white music and black music right here in Memphis. Rock-and-roll and soul music both exploded here. So it seems appropriate that this city also offers a place in art to address questions about who really does sit at the table and how we express the questions of humanity living together.

I also wanted to show the rest of the country what a fabulous place this is, the one that we're all fortunate enough to call home. Even for those who have lived here, either all their lives or just recently, deserve to know and celebrate our history and influence. We have so much to be proud of.

As part of the Memphis Project, we try to dance works that show the political and social aspects of our community that affect each of us on a different level. Last year, we had the honor and privilege to perform at the John F. Kennedy Center of the Performing Arts. We presented Trey McIntyre’s In Dreams, which was inspired by the repertoire of Roy Orbison. Trey, who spent seven years with us as choreographer-in-residence, has captured the heart and soul of Memphis with the inspiration and use of the music of Memphis. And as we all know, the history of Roy Orbison and Memphis music is proud and deep.

Ultimately, we commission, choreograph and dance new and exciting works because we know that’s what our community wants and needs. Our wonderful staff “mine” the musical, literary, social and political history of this place we call home to find stories that resonate with Memphians, Southerners and art lovers alike.

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